Geometrics in Sound, Op. 29

"Geometrics in Sound, Opus 29" was created in 1964 with affection and gratitude to Herbert L. Carter, the then orchestra director of East Carolina University. It is the second in a series of five original works that examine frequent shifts in metric patterns and vary the main themes extensively. It is composed without a keynote and is characterized by an exciting contemporary sound.

Including:

• Score
• C-Piccolo/ Flöte
• D-flat Piccolo
• Oboe
• English Horn
• Bassoon
• E-flat Soprano Clarinet
• B-flat Clarinet 1
• B-flat Clarinet 2
• B-flat Clarinet 3
• B-flat Bass Clarinet/ Contrabass Clarinet
• E-flat Alto Saxophone
• B-flat Tenor Saxophone
• E-flat Baritone Saxophone
• B-flat Cornet/ Trumpet 1 & 2
• B-flat Cornet/ Trumpet 3 & 4
• F Horn 1 & 2
• F Horn 3 & 4
• Trombone 1 & 2
• Trombone 3
• Baritone B.C.
• Baritone T.C.
• Tuba
• String Bass
• Piano (optional)
• Timpani
• Percussion 1
• Percussion 2